Michelangelo Caravaggio, “The Conversion of the Magdalene” (1598)

It is within this space between word and silence, between the visible and the invisible, that my clinical practice is guided.

My clinical approach is grounded in classical psychoanalysis, in dialogue with humanistic and existential perspectives, recognizing that psychic constitution does not take shape solely within the individual, but also through encounters with the world, culture, language, and history. Psychological suffering often emerges in this in-between space, when lived experience can no longer find words, images, or spaces of containment.

Clinical work is oriented by listening as an ethical act and as a gesture of openness to the unknown. In this context, to listen does not mean to fit experience into pre-existing categories, but to sustain a space in which the individual may exist beyond the labels that have already captured them.

This work benefits from a transversal perspective, enriched by engagement with multicultural authors, narratives, and ways of thinking. Such crossings broaden listening and allow recognition that there is not a single way of existing, desiring, or attributing meaning to life.

The plurality of references does not fragment clinical practice; on the contrary, it offers density and context to the singularity of each person.